Struggling with Mary Rose
I’ve been really struggling with the timeline for the play, and how to make that work. Originally I thought about the whole piece as Tudor, and then as contemporary, and then as act one being Tudor and act two contemporary, and then reversing that and then . . . I was exhausted.
I watched a show recently which told one story in the first act, and then the truth in the second. I didn’t enjoy that structure as it felt – to me – that I had been manipulated too much. All writers manipulate their readers, and doesn’t a reader chose to be manipulated, isn’t that what they pick up a book for? It’s the same with shows – we want to be scared, or emotionally attached, or on the edge of our seats. The trick is entertaining your audience and taking them on that journey without them thinking that they have been manipulated – you don’t want them to be aware in the moments of experiencing the work, of the writer.
It is so complex, and while it would be simpler to choose one time period and work within it, I can’t help myself needing to use two. At the moment I am going for interlinking both. I’m excited by the conservation, I’m excited by the build. All I need to do is to bring them together with cunning dexterity.
(On the plus side, there’re some absolutely cracking moments in there!)